试镜的需求
声音的要求
The entrance audition demonstrates the student's ability to sing in tune, 节奏正确, 良好的音质. For Music Education, Music Therapy, 和 BA applicants, please choose 两个 以下列表中的片段. For Vocal Performance applicants, please choose 三个:
- 一个16th-18th century Italian song or aria, in Italian
- 一个19th or 20th 世纪德国或法国艺术歌曲. Original language is recommended, but this piece may be sung in English.
- 一个20th or 21st 世纪美国或英国艺术歌曲
- One additional song of your choice from traditional vocal literature (musical theater selections, jazz, or original compositions are not acceptable).
必须选择这些选项 from the st和ard classical vocal repertoire, show contrasting musical 和 historical styles, 和 include at least one language other than English. 所有的选择都必须记住. If you have any questions about your selections, please contact Professor Constance Fee (Director of Vocal Studies) at fee_constance@罗伯茨.edu.
An accompanist will be provided upon request. 在这种情况下, music scores 必须 be sent to the RWC Music Office at least 三个 weeks prior to the audition date. For further information, please contact the Department of Music 和 Performing Arts at music@罗伯茨.edu.
钢琴/器官需求
Two contrasting compositions or movements from different periods. 例如, one piece from the baroque or classical period, 和 one piece from the romantic or 20th century. Memorization is encouraged, but not required.
*if you have any questions about your selections, please contact Professor Joseph Werner (Director of Piano Studies) at werner_joseph@罗伯茨.edu.
铜的需求
长号:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
One solo from the st和ard repertoire by David, 强烈阵雨, Guilmant, Telemann, 普赖尔, hindemmith或同等学历.
Etudes by Bordogni, Kopprasch, Blazhevich, or equivalent.
准备好弹奏所有的大调音阶.
喇叭:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
凯南奏鸣曲. 1或3号，哈尔西史蒂文斯，密歇根州. 欣德米斯，麻省理工学院. 1 or 3; Concerti by Haydn, 无角的, Arutunian, Corelli; Goedicke, Concert Etude; Solos by Arban or Clarke, 查理的练习曲, 或类似的.
准备好弹奏所有的大调音阶.
大号:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
One solo from the st和ard repertoire by Hindemith, 怀尔德, Persichetti, 哈特利, 马塞洛, Nelhybel, 约克或同等学历. Etudes by Bordogni, Blazhevich, Grigoriev, Kopprasch or equivalent.
准备好弹奏所有的大调音阶.
次中音号:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
One solo from the st和ard repertoire by 马塞洛, 莫扎特 (bsn cto.), Clarke, Bach (cello suites), Jacob, Sparke, 约克或同等学历. 的练习曲 Bordogni/Rochut, Tyrell, Kopprasch or equivalent.
准备好弹奏所有的大调音阶.
法国号:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work).
Solos by Bozza; Dukas, Villanelle; Concerti by Haydn, 莫扎特, Strauss; Sonatas by Beethoven 和 Hindemith; Saint-Saens, Morceau de Concert; F. 施特劳斯,不想, 或类似的.
准备好弹奏所有的大调音阶.
*if you have any questions about your selections, please contact Dr. Paul Shewan (Director of Instrumental Studies) at shewanp@罗伯茨.edu.
木管乐器的需求
巴松管:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work).
准备好弹奏所有的大调音阶.
槽:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work).
准备好弹奏所有的大调音阶.
双簧管:
Two works of contrasting styles 和 one etude from Ferling or Barret.
准备好弹奏所有的大调音阶.
单簧管:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work).
的练习曲 西里尔·罗斯的32首练习曲. Solos by Weber, 莫扎特, Osborn, Hindemith, 或类似的.
准备好弹奏所有的大调音阶.
萨克斯:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
巴赫作品中的乐章, 中地定居下来, Fasch, Glazounov, Heiden, 的作品, Lunde, 米, 史密斯, 和/或Villa-Lobos.
准备好弹奏所有的大调音阶 (low b flat to high F).
Sign reading may be included as part of the audition.
*if you have any questions about your selections, please contact Dr. Paul Shewan (Director of Instrumental Studies) at shewanp@罗伯茨.edu.
字符串的需求
小提琴:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
A movement from unaccompanied Bach or a movement from a st和ard concerto or short, solo works (eg. Sarasate、克莱斯勒的展示品). One etude or caprice by Mazas, Dont, Kreutzer, Rode, etc.
Two 3-octave scales of the student's choice (Major, 谐波小, 和 Melodic Minor) 和 its arpeggios (Major 和 Minor).
中提琴:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
J的一个乐章.C. Bach, Stamitz, or Walton Concerto 和 one contrasting movement from a Bach cello suite.
准备好演奏一个音阶(大调), 谐波小, 和 Melodic Minor) 和 its arpeggios (Major 和 Minor) in 3 octaves.
大提琴:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
巴赫组曲中的一个乐章, a movement from a st和ard concerto or sonata, 表演作品或人物作品, 和/或杜波特的练习曲, 波普尔或皮亚蒂.
One major 和 one minor 三个-octave scale with arpeggios.
贝斯:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
协奏曲或奏鸣曲中的乐章, 巴赫的独奏乐章(任何调式), or an etude such as a Kreutzer etude transcribed for bass, Storch-Hrabe练习曲, 或者西曼陀练习曲.
琴:
Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing 和 fast passage work). 例如:
A representative etude such as Bochsa, Quarante Etudes Faciles, Op. 318. B的个人作品. 安德烈斯,M. Gr和jany P. Hindemith H. Renie C. Salzedo, M. Tournier等. 管弦乐节选或装饰曲.
*if you have any questions about your selections, please contact Dr. Paul Shewan (Director of Instrumental Studies) at shewanp@罗伯茨.edu.
吉他要求
Audition pieces should include 三个 contrasting major works from different stylistic periods that best represent the applicant’s technical 和 artistic strengths. 例如, this may include a memorized solo from the st和ard repertoire 和 两个 etudes that utilize different techniques (i.e. 琶音，音阶，休止符旋律). Be prepared to perform from memory any 两个 和 三个 octave major 和 melodic minor scales (Segovia edition) with rest or free stroke (i-m; m-a). 注:电吉他可以 不 用来试镜. 吉他手 必须 叫吉他兼职教授，博士. Tim Shannon before scheduling the audition (585-613-5013).
冲击要求
Repertoire should reflect your current playing level, realizing that may be different for each area of percussion. Players should prepare the following material:
小军鼓:
One orchestral/concert snare drum solo (i.e. Mitchell Peters, Anthony Cirone) 和 one rudimentary snare drum solo (i.e. 约翰·普拉特、查理·威尔考克森).
球棍:
One 两个-mallet marimba solo of the players choice. Players are encouraged to demonstrate four-mallet technique in the form of an etude or solo (optional).
定音鼓:
一个独奏的玩家选择(1).e. 贝克，霍克雷纳，卡罗尔，费斯).
可选鼓组:
Demonstration of 三个 contrasting styles (i.e. 摇摆，拉丁，摇滚).
*if you have any questions about your selections, please contact Kyle Peters (Instructor of Percussion Studies) at peters_kyle@罗伯茨.edu.
音乐治疗要求
音乐治疗申请人, you will be asked to complete an interview 和 several interactive musical experiences in addition to the normal audition requirements (see instrument of choice above). Neither of these additional components require advanced preparation for the applicant.
如果你还有其他问题, please contact the Department of Music 和 Performing Arts at 585-594-6101 or music@罗伯茨.edu.